@ILoveMyoozik @Meanlucario
For the record, this is a movie from 1920, widely considered to be the first horror film, and has a twist ending that would make M. Night Shyamalan proud. And I mean that in a good way.
@TheHappySpaceman
I’ve seen it in collage, so I know. It’s made to show that the German government wanted to help its citizens who went mad after the havoc WWI left on it, if I’m remembering it right.
@Meanlucario
Wow, interesting interpretation. I’ve heard that oddly enough, Metropolis, another fantastic German silent film, was beloved by Joseph Goebbels, causing its director to disown it… oddly enough, the Nazis would later destroy most of the copies of that movie, and the full cut still hasn’t been seen to this day.
Am I glad he’s frozen in there and that we’re out here and that he’s the sheriff and we’re frozen in here and we’re in there and I just remembered, we’re out here! What I wanna know is where is the caveman?
@Meanlucario
I’ve heard that, too. Though both were also precursors to entirely separate genres. The Cabinet of Dr. Caligari could be considered early horror/thriller, and Metropolis could be considered early sci-fi, particularly of the cyberpunk/biorobotics subgenre.
Why exactly wouldn’t a continuation of Gargoyles be satisfactory without Mr. Weisman? Star Trek was able to continue after TNG in the form of Deep Space 9 and Voyager, even though Gene Roddenberry died in 1992. Why wouldn’t that be the case for Gargoyles??
-@Absol95
I’ll put it to you this way: The last time we got a continuation of Gargoyles without Greg Weisman’s input, we got season three, otherwise known as The Goliath Chronicles, which was so bad that it has since been disowned by the fans, Weisman, and Disney and is basically non-canon.-