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Description
Don’t worry girls, we switch over to B Major later on.
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Oh, those. The two sixteenth notes in the final eighth beat of measure 21. Yeah, that is weird.
Yes, as well as “you see” at the top of page 2.
Are you talking about “dear, I”, “It’s a-”, and “clear that”? I’m pretty sure that Andrea sang those as “quarter + eighth” triplets, despite being written as “dotted eighth note + sixteenth note”.
Db, B, F#, and E are a pianist’s favorite keys because they let your hands rest over the black keys while there are only two (or three if it’s E or Ab) white notes to bother your thumbs.
Now I need to give the song a close listen to hear if the non-triplet 16ths are how they’re actually sung or if they’re rhythmic jank imposed by the notation software.
As someone who has used music notation software before (Musescore), I can admit that starting out in 12/8 can be daunting, and I’d rather begin with 4/4 and just click Ctrl+3 on every quarter rest necessary to make it a triplet.
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