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Edited
The way Lauren Faust writes characters also helped. She starts with a simple core or stereotype such as fashionista, or hyperactive candy pony and then fleshes them out from there. That means though that every character has a core that everything else is build around. That helps makes the characters more flexible because as long as people keep that core they can really bend the characters to fit their own stories without them seeming too OOC.
Proof of that is in the two arguably most influential stories of Past Sins and Fallout-Equestria. One stays very faithful to the show and keeps them all very in character with a very similar tone and morals. The other almost completely abandons the show and keeps it’s core messages and world in mind but nothing else. They really are on opposite extremes yet were both successful. Equestria could be a childlike world of wonder or a unforgiving landscape of greed.
Edited